Performance | Djane Borba | TEDxGuararema

Key Concepts:

• Momento presente (Present moment)
• Reinventar-se (Reinvent oneself)
• Pequenos encontros (Small encounters)
• Resistência e resiliência (Resistance and resilience)
• Autoamor (Self-love)
• Privilégio de envelhecer (Privilege of aging)
• Amor verdadeiro (True love)
• Conexão (Connection)

Tedex Guararema Closing Remarks and Performance

1. Introduction and Personal Significance

• The speaker expresses gratitude for the special afternoon at Tedex Guararema, emphasizing the layers of reflection, connection, and introspection experienced.
• She highlights the event's significance for the city and its personal importance to her.

2. Origin of the Song "Já Já"

• The song originated during her tour in Italy, specifically during the first show.
• She was dealing with a conflict over the setlist as the only female leader of the band.
• Her percussionist, Benedito, advised her to focus on the present moment ("A vida é já, é já").
• In Milan, she spontaneously interrupted the show and sang a cappella, creating the song "Já Já" on the spot.
• The lyrics emphasize living a great love, peace, and happiness in the present moment.
• The performance was met with a sea of lighters from the audience.

3. Reflections on Human Understanding and Truth

• The speaker reflects on the multitude of worlds within our world and the diverse languages spoken.
• She questions why people discuss the same topics despite these differences and why generations struggle to understand each other.
• She cites an African proverb: "Cada um vê o pôr do sol da sua janela" (Everyone sees the sunset from their own window), suggesting that individual perspectives shape reality.
• She posits that if someone discovered a universal truth and shared it in their language, that truth would become associated with the language and its speakers, potentially undermining certainty.
• She acknowledges the few certainties we have, such as the speed of light, the force of nature, and the inevitability of life and death.
• She quotes her friend Mona Ricumbi, emphasizing that anyone can become a person with a disability at any moment, reinforcing the importance of living in the present.

4. Audience Interaction and Connection

• The speaker encourages the audience to turn on their phone flashlights, symbolizing individual worlds and unique perspectives.
• She aims to connect hearts through the melody of the song.

5. Questions About the Future and Reinvention

• The speaker poses the question of where we go from here, acknowledging the uncertainty and the importance of having more questions than answers.
• She emphasizes the human capacity to reinvent oneself and overcome setbacks by seeking small encounters along the way, potentially leading to a significant encounter in the end.

6. Personal Reinvention in Guararema

• She shares her personal experience of moving to Guararema, leaving behind what could have been the peak of her career in the São Paulo music scene of the 90s.
• She mentions festivals like MTV and collaborations with bands like Utopia and Mamão nas Assassinas, as well as international travel.
• She chose to settle in Guararema to raise her children, defying the notion that art and culture can only thrive in major urban centers.
• She attributes the beginning of her journey in Guararema to a nightclub called "Casa das Anibandas."

7. The Power of Small Actions and Gratitude

• She emphasizes that small actions can have significant impact.
• She references the saying "Cada um dá o que tem, cada um faz o que pode" (Everyone gives what they have, everyone does what they can).
• She introduces a song co-written with Marco Vita, encouraging the audience to appreciate their journey to this moment.
• She highlights the importance of self-love and gratitude for one's own trajectory.

8. Audience Engagement and City Recognition

• The speaker calls out different cities represented in the audience, asking attendees to respond with "presente" (present).
• She acknowledges attendees from Mogi das Cruzes, Suzano, Jacareí, São José dos Campos, São Paulo, Rio de Janeiro, Santo André, Piracicaba, Santa Branca, Maceió, Kingscliff (Australia), and Portugal.

9. Reflections on Aging and Love

• She reflects on the privilege of aging, stating that "Um idoso é um jovem que deu certo" (An elderly person is a young person who turned out right).
• She cautions against hardening one's heart to love and belief.
• She emphasizes the importance of maintaining an open heart and continuing to believe in the face of disillusionment.
• She discusses the re-signification of true love, maternal love, paternal love, and fraternal love.
• She warns against "love bone" or love for sale.
• She states that every contact changes us and that connection exists when we both take and leave a part of ourselves.

10. Closing Remarks and Song "Baião"

• She quotes the poet Is Ferro, describing love as "um bicho grande, vivendo dentro do coração de cada mulher" (a big animal living inside the heart of every woman).
• She emphasizes the importance of self-love, stating that "Quem amar ama o seu amor a si também" (Whoever loves, loves your love for yourself too).
• She concludes by saying she will take a piece of everyone's heart and leave everything of herself.
• She performs the song "Baião," inviting the audience to dance and let go of their fears.

Synthesis/Conclusion:

The Tedex Guararema closing remarks were a blend of personal reflection, musical performance, and philosophical musings on life, love, and connection. The speaker emphasized the importance of living in the present moment, embracing change, and appreciating the small encounters that shape our journey. She encouraged self-love, gratitude, and maintaining an open heart in the face of life's challenges. The performance of original songs served as a powerful medium for conveying these messages and connecting with the audience on an emotional level.