Rope installation heavier than T.rex on sale for £1m. #DavidShrigley #BBCNews

By BBC News

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Key Concepts:

  • Old Rope Exhibition: An art installation by David Shrigley.
  • David Shrigley: The artist behind the exhibition.
  • Trafalgar Square Fourth Plinth: A prominent public art space where Shrigley previously exhibited.
  • Da Vinci Code / 1984 by George Orwell: Books used in a previous Shrigley artwork.
  • Rope Installation: The central element of the exhibition, comprising collected rope.
  • Weight and Cost: Specific details provided about the rope installation.
  • Geographical Reach: The extent of the rope if stretched out.

Old Rope Exhibition by David Shrigley

This exhibition showcases "old rope" created by artist David Shrigley. The artwork is notable for its significant weight, described as being "heavier than a Tyrannosaurus Rex," and its substantial cost, valued at "1 million pounds."

Artist Background and Previous Works

David Shrigley is an artist recognized for his previous public art interventions. He was responsible for the "thumb" sculpture displayed on the Fourth Plinth in Trafalgar Square. Another notable work involved transforming "thousands of copies of the Da Vinci Code into 1984 by George Orwell," demonstrating his conceptual approach to art.

The Rope Installation: Process and Scale

For this exhibition, Shrigley has been collecting "rope all around the UK." These collected ropes are then arranged into "piles" within the gallery space. The sheer scale of the collected material is emphasized by the statement that if the rope were "stretch[ed] it out, it's 20 miles." This length is further contextualized by its potential reach, stated as being able to extend "from here in this gallery in Mayfair to Reading."

Synthesis/Conclusion

David Shrigley's "Old Rope" exhibition presents a monumental installation of collected rope, characterized by its immense weight and high monetary value. The artwork builds upon Shrigley's established practice of engaging with found materials and public spaces, as evidenced by his previous works on the Trafalgar Square Fourth Plinth and his conceptual manipulation of books. The exhibition highlights the artist's ability to transform ordinary objects into significant artistic statements through scale and conceptual framing, with the rope's extensive length serving as a key element of its impact.

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