Bringing new murals to Belfast in Northern Ireland | Focus on Europe

DW NewsAbout 4 min readJun 8, 2025Watch original
THE SUMMARYAI-generated

Key Concepts:

  • The Troubles: A period of sectarian violence in Belfast lasting approximately 30 years.
  • Political Murals: Depictions of the Troubles, sectarian violence, and political ideologies, historically prevalent in Belfast.
  • Loyalists: Predominantly Protestant individuals who wanted Northern Ireland to remain part of the UK.
  • Republicans: Mainly Catholic individuals who wanted Northern Ireland to join the Republic of Ireland.
  • Good Friday Agreement: A 1998 agreement that largely ended the violence of the Troubles.
  • Ceasefire Babies: A generation born around the time of the Good Friday Agreement.
  • Street Art: Modern, non-sectarian art that is emerging in Belfast.
  • Neutral Ground: Areas of the city that are not associated with either Catholic or Protestant communities.
  • Identitarian Politics: Politics based on group identity, often leading to conflict.

The Troubles and Political Murals:

  • For 30 years, Belfast was deeply divided by sectarian violence known as the Troubles, resulting in over 3,600 deaths.
  • The conflict was between predominantly Protestant loyalists, who wanted Northern Ireland to remain part of the UK, and mainly Catholic Republicans, who wanted Northern Ireland to join the Republic of Ireland.
  • The Good Friday Agreement in 1998 ended most of the violence, but the images of conflict remain in the form of political murals.
  • Paul Donnelly, who lived through the Troubles, leads tours of Belfast's political murals, explaining that they serve as a way for communities to remember their past, tell their story, and mark their territory.
  • According to Donnelly, one in ten people in Belfast directly lost a family member during the Troubles, highlighting the deep trauma within the community.

Emergence of Street Art:

  • A new generation of artists is creating a fresh vision of Belfast, moving away from the Troubles and filling the city with color.
  • Nulls, a "ceasefire baby," aims to tell a different story about Belfast's identity through her art, focusing on non-sectarian themes.
  • The juxtaposition of street art with traditional political murals is creating a sense of neutral ground in the city, making it feel more welcoming to everyone.
  • Belfast is experiencing an exploding street art scene, powered by an annual festival run by creative producer Adam Turkington.
  • Turkington's festival attracts artists from around the world, adding to the hundreds of modern artworks he's helped generate.

Adam Turkington and the Language of Walls:

  • Adam Turkington believes that Belfast understands the "language of walls" due to its history of political murals.
  • He emphasizes that the new street art is not meant to erase the traditional murals but to add a new visual layer to Belfast's identity.
  • Turkington is pushing back against the idea of emptying the traditional murals, instead focusing on creating an identity that everyone can feel proud of.

Impact and Future of Art in Belfast:

  • Young people welcome the new street art, appreciating that it is not about "this side or that side" but something that everyone can enjoy.
  • The city's artistic background, rooted in political expression, has allowed it to grow and flourish, indicating the direction Belfast is heading.
  • Paul Donnelly now includes modern works in his tours, recognizing them as part of Belfast's story.
  • He notes the significant shift from a time when artists were killed for their work to now inviting artists to challenge the city.
  • The art in Belfast is now a powerful tapestry of the pain of the past and hope for the future.

Notable Quotes:

  • Paul Donnelly: "Murals are massively important in this city for both communities. It's about remembering your past, it's about telling the outside world here's our story our experience and our narrative."
  • Nulls: "I just wanted to fill my city with color and it to not feel as oppressive and to be not constantly talking about the troubles."
  • Adam Turkington: "We speak wall you know we understand the language of walls in Belfast because of that history and that tradition."

Synthesis/Conclusion:

Belfast is undergoing a visual transformation, moving from a city defined by political murals depicting sectarian violence to one embracing modern street art. This shift, driven by a new generation of artists and supported by initiatives like Adam Turkington's street art festival, is creating a more inclusive and hopeful identity for the city. While acknowledging the importance of remembering the past, Belfast is looking towards a future where art serves as a unifying force, fostering a sense of shared pride and moving beyond the divisions of the Troubles.

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