AI won't replace entertainment jobs, it will supercharge what they already do: Gregg Spiridellis
By CNBC Television
Key Concepts
- AI Transformation in Entertainment: Artificial Intelligence is poised to revolutionize content creation, production, and distribution, rather than outright replacing human artists.
- Superpower for Artists: AI acts as a "superpower," amplifying the capabilities of individual artists and changing the organization of talent in storytelling.
- New Formats and Engagement: Technology, including AI, enables new content formats and transforms how audiences engage with storytelling.
- Animation's Growth and Opportunity: Animation holds significant potential for franchise building, especially in the post-pandemic era where family moviegoing is an event.
- Democratization of Production: AI tools are making content creation more accessible, potentially leading to cost savings and increased creative flexibility, particularly in live-action.
- Seismic Shifts in Animation Production: The traditional organizational structure of animation production is facing collapse due to technological advancements.
AI and the Future of Entertainment Industry
Gregg Spiridellis, co-founder and CEO of Spiridellis Brother Studios and co-founder of JibJab and StoryBots, discusses the impact of AI on the entertainment industry. He argues that the notion of AI completely replacing everyone is an overstatement. Instead, AI is expected to completely transform the industry, altering how content is created, produced, and distributed.
Transformation, Not Replacement
Spiridellis emphasizes that AI will not eliminate the need for talented artists. Instead, it will act as a superpower, significantly multiplying what individual artists can achieve. The core of producing great stories will always rely on great talent, though the roles and organization of this talent will evolve.
New Formats and Audience Engagement
The conversation highlights how new technologies have historically enabled new content formats. Examples include JibJab's "This Land is Your Land" on dial-up modems, "Elf Yourself" in the early Facebook days, and StoryBots, which began on YouTube before being acquired by Netflix. Spiridellis believes AI will further transform the types of stories told and the ways audiences can engage in their creation. He describes this as the most exciting time in the history of technology and entertainment.
Animation: A Focus Area
Animation is identified as a sector ripe for disruption and a key area of focus for Spiridellis's studio. While animation constitutes a significant portion of Hollywood and streaming revenue (10-15% of Hollywood, 50-55% of worldwide box office revenue), the production methods are undergoing radical change.
Evolution of Animation Production Teams and Budgets
Spiridellis provides specific data points to illustrate this shift:
- Snow White and the Seven Dwarfs (1937): Involved 700 people.
- The Lion King: Involved 600 people.
- Toy Story: Involved 120 people.
- Phil's (Oscar winner for Best Animated Feature last year, beating Inside Out 2 and The Wild Robot): Had a team of only 40 people and a budget of $3.6 million.
This trend suggests that the entire organizational structure of the entertainment industry around animation production is on the verge of collapse. Spiridellis's studio is being built from the ground up to capitalize on these seismic changes.
Impact on Live-Action Production
The discussion extends to live-action content, where the availability of stock footage is a significant factor. AI tools are seen as a major disruptor in this domain as well.
Cost Savings and Creative Flexibility
Spiridellis predicts enormous cost savings and creative flexibility for large content providers like Netflix and Disney due to AI. This is particularly true for live-action, as much of the current AI model building is focused on generating live-action video content. The accessibility of these tools is expected to enable more creators to have a voice and to produce more content.
Conclusion
The overarching takeaway is that AI is not a threat to human creativity in entertainment but rather a powerful enabler. It will redefine roles, unlock new storytelling possibilities, and democratize production, especially within the rapidly evolving landscape of animation and live-action content creation. The focus is on building studios that can leverage these technological advancements to create compelling franchises and stories.
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